Showing posts with label Amateur Photography. Show all posts
Showing posts with label Amateur Photography. Show all posts

1 Dec 2018

I’m back

Hail readers!

I must apologise for having taken so long to return to blogging. Several things have conspired against me; I will summarise the problems briefly. Firstly, university, with its litany of papers, exams, and other work-related demands. Secondly, my photography—a new hobby that has taken up time and money, but which is, I suppose, necessary to keep my mind active and buzzing with ideas. Finally: I’m still trying to get Fallen Love published. I have therefore submitted to a number of independent publishers and agents.

I wish to return, then, to discuss my goings-on and life in general. Those of you who have followed my blog and writing adventures will be right at home; otherwise, simply read a few posts from the archive if you want to get up to speed. Additionally, I’ll add a few choice words to the connection between writing and photography—a topic I have touched upon before, but which has gained increasing importance now that I’m spending so much money and creative energy into it. Don’t worry: it’s good for my writing as well as my visual skills.

Life

There is a debate in aesthetic philosophy regarding the extent to which art is representation—or if it is representation at all. It’s a commonly held belief that fiction is inspired by life; but the word inspired can mislead here. Some things in life do inspire me, yet the link is often abstract, its origin mysterious. Then there’s the simple fact that a lot of things in life are antithetical to art: bureaucratic papers, for example, or never-ending work.

It’s unfortunate that the last few months have been more of the latter than the former. Being in my third year of university has something to do with it, as does the simple fact that I’ve not been writing seriously. It’s as if I’m living my life on autopilot: I take care of myself, do work and chores, but nothing about my actions is important. Writing gives me purpose; without it I am lost.

It does not help that I am struggling to feel enthusiastic about my courses. They are not difficult—if anything the opposite is true: they don’t challenge me enough. I don’t feel like I’m exploring new frontiers in my knowledge, or gaining valuable and skills and insight. Although courses like programming were time-consuming and sometimes frustrating, I did learn stuff.

The concept of equilibrium also has a role to play. The last two and a half years have challenged me in a number of ways, but I have now adapted to the challenges as best I can, and there have been no major departures from this equilibrium state. While this is not the same as being unchanging (there have been many changes as of late) this kind of life does nevertheless entail a certain taedium vitae.

To put it more simply: I need something new. Something wild and magical.

Photography and Writing

There are few writers who are great photographers, and photographers rarely write well; it would seem, then, that there is no connection between these two disciplines, or even that they are mutually exclusive. This, however, would be drawing a hasty conclusion. The relationship between photography and writing is complicated, but often fruitful.

Ansel Adams, the famous American landscape photographer of the last century, wrote of the importance of previsualisation: the act of imagining the image you want to make, and setting up your equipment to achieve that creative vision. The same technique applies to writing—the greatest mistake a writer can make is not having a plot, a character motive, or, most importantly, a story. A bad book is much like a snapshot; it is aimless and boring.

The real difference between photography and writing—this will, by the way, annoy some photographers—is in the gear. Frankly, photography is an expensive hobby because it demands expensive equipment. Good luck trying to shoot a puffin in flight without a good telephoto lens and a fast DSLR. (If it’s around dawn or dusk, that won’t be enough, and you’ll need to shelve a couple of grand for a super-telephoto lens.) If your subject is in low light or high dynamic range, you’re going to want an expensive camera with a large sensor. Even the price of peripherals like filters or tripods (or flashes!) can give newcomers a heart attack.

On the other hand, huge bestsellers like Harry Potter were written on a typewriter by a single mum on benefits. The difference is stark.

If you are privileged enough to be able to afford photography, though, it is a satisfying art form to work with, and generally less stressful than writing. Expectations, of course, play a role: with photography, I am content to sometimes lose a shot. Difficult light, and inclement weather (think 60mph gusts and sub-zero temperatures) all play a role.

When you’re writing at my standard, though, there is much less room for error. A typo is trivial to correct, but a cliché you missed, an awkward line of dialogue here—or a chapter that doesn’t fit into the narrative—and you’ve potentially lost an editor.

Concluding thoughts

I must abandon you once again, dear readers, for work beckons. I hope I have made my somewhat scattered thoughts clear for you. There are no guarantees as to when I will write once again on the Magical Realm, but if things go according to plan, it will be sooner rather than later.

Until then!

26 Sept 2016

The Art of Photography: Alex’s Perspective

So: is photography an art? And why is Alex, your (I hope) favourite writer of all things fantastic, romantic, and political, suddenly talking about it?

Perhaps a little introduction is in order. Recently—as of a few months—yours truly has been interested in photography. He has scoured the web for photography advice, detailed technical explanations, reviews of various photography gear (they are remarkably informative), and read critiques of fine photography. He has almost developed an obsession; but then, for Alex, hobby has always bordered dangerously close to obsession. He would not have been a published writer at 16 otherwise.

Anyway, the content of this post will be concerned with answering two questions. What are the fundamental characteristics of art? (This is a question Alex has explored before, albeit in less detail.) And secondly, to what extent can photography be considered art? Finally, Alex will also share some of his own experiences with photography; the photos he’s taken, and what it felt to be taking them.

What Defines Art?

As it happens, this is a philosophical question. Aristotle, in his Poetics, addressed this. And what did he think, you ask? Well; to Aristotle, art is a representation of the real world. This is similar to Plato’s position (his master) but distinct from it in one important way: whereas Plato thought art worthless—a mere shadow of the real thing—Aristotle believed that art, through imitation, could reveal facets of our life otherwise hidden.

What’s my take on this? As you might expect, I don’t buy into either theory. Art is not an imitation of something—that’s a crucial mistake. It may seem so, ostensibly; but this is a superficial analysis. Allow me to peruse some examples.

Fantasy is the most obvious counter-example. It is difficult to see how demons, vampires, werewolves, mages, and the Fae can be classed as ‘an imitation of reality’. Certainly—they may possess some of the qualities of humans. That is what makes them so powerful; they are uncanny. Like us, but not.

But of course, in fantasy, faeries and mages are not elaborate metaphors for people in real life. In fantasy, faeries are faeries and mages are mages. (Yes, I am guilty of abusing the tautology.)

But even in other genres, I feel the classification is inaccurate. What I see in art is not imitation; it is creation. The beauty and power of art lies in the fact that is born of an artist’s imagination—that ideas which seem too crazy in the real world, or which have no precedent elsewhere, can actually be explored through the medium of art.

RELATED: The poems Objet D’Art and Essence explore some of these ideas in poetic form

Anyway, what does my theory of aesthetics mean in practice? The essential elements of art, I believe, are the following:

  1. It is something that the artist creates through the use of their imagination. Be it music, art, or fantasy worlds ;)
  2. It contains emotion; this is part of what makes art so powerful.
  3. It has a peculiar abstract quality.

You may wonder at the third condition. Why, do you wonder, is art abstract? I believe answering this question in totality (if that is indeed possible) would require extensive philosophical digression—and is thus beyond the purlieu of this post. Instead, I will answer the question in descriptive, rather than normative terms; what art is rather than what it should be.

A cursory examination of art immediately reveals what I mean. There’s something intangible about art—it is difficult, perhaps impossible, to say why a particular melody seems to resonate with our psyche, while another falls flat in dissonance. It is hard to say why some art is beautiful, and moves us, while other art leaves us bored. Why do some books become huge bestsellers, while others flounder?

Once more; this is a difficult question requiring extensive discussion. Personally, I believe art has an objective and a subjective element. Some art resonates with us on a deeply personal level—it appeals to something inherent in our personality. But there is also a general status of art. Technique, be it in writing, composing songs or drawing, does noticeably improve art.

In any case, I have presented the 3 key elements of art. The second question of this post is, of course, whether photography can classify as art. My answer is yes; photography is art in much the same way painting is. But it may not be immediately obvious why this should be so...

Photography as Art

‘Isn’t photography just snapping a picture? How is that art?’ Without doubt, this is the most common question asked by non-photographers. Answering it requires some familiarity with photography.

You see, photography as an art form is a very different beast from the ugly snapshots your average Joe takes in their average family holiday. The latter is indeed not art—it’s just pointing the camera and hitting a button. But the former; that is quite another matter.

The reason for this has to do with photographic input. Artistic photographs require something from its creator; they are a product of deliberate artistic intent. To take a beautiful photograph, the photographer has to think about where to take the shot; what elements she wishes to include and what elements she wishes to crop; and she needs to consider how colour, contrast, and depth of field combine to make a beautiful photo.

These ideas can be illustrated with the help of some photos:

See what I mean? The latter photo has no focus; it just is, so to speak. It does not tell a particular artistic or aesthetic story; it does not contain emotion; it is not particularly abstract; and it requires no great input on my part.

Whereas the former photo, taken by Soner B., exemplifies the opposite. It tells an aesthetic story; it makes you feel a particular way. (For me, warmth, and the wildness of nature.) And it of course it took some effort on the part of its creator in order to stage it.

For an even more dramatic example, consider the iconic photo by Yousuf Karsh:

Yousuf Karsh Churchill photo

Alex’s Interest in Photographic Art

So what is about photography that tugs at our darling writer’s heart? Transience, would be one answer. Photography captures a fleeting moment of real life: the particular vermilion shade of a sunset; the dimpled smile in a moment of joy; the neon hues of a city at night.

Another explanation would be... perspective. In taking photography to a higher level, I have found that I need to think, intimately, about how perspective can change the appearance of a scene. This skill is one that has—to some degree at least—carried over to my writing. I have found myself thinking about how a scene would be different if it were written from his point of view instead of hers; how would a plot carry with this scene instead of that; what do two characters see in the same situation?

So there you have it. Alex—writer extraordinaire, and photographer?

Below you will find some of Alex’s best photos so far. Naturally, Alex is working on improving his technique (and on buying proper equipment, once suitable funds have been drawn up).

Feedback, as usual, is appreciated.

15 Sept 2016

Life is Life, Amsterdam

You may have been wondering what my life, here in Amsterdam, has been like these past two weeks. Am I settling in? How is the city? And what of university life?

These questions I shall address herewith. If you are wondering as to how the Ark is going, however, you may wish to signup to the mailing list instead. You will receive regular weekly updates on my progress, along with sneak peeks into the Ark—a privilege you will not be privy if you simply follow the Magical Realm.

Anyway, onto business.

University Life

Uni life is... interesting. Different. And at times hectic—though, I suppose, that isn’t saying much. School has been hectic for many years, now that I look back. Indeed, over the past 6 years or so, I have had nothing but exams. First it was SATs; then the 11+; then GCSEs (in year 9); then more GCSEs; then ASs, and finally A levels. Suffice to say that whenever I hear of a test or assignment, I feel a wearied expectation rather than a pulse of fear.

Nevertheless, university life does have two aspects that are foreign to me. The first is the schedule of the lectures, and the way the workload is distributed more generally. I have lectures starting at four pm and ending at six; I have lectures starting at 9am; and I have everything in between, from 11 to 2. There is no regularity between days.

Is this confusing, you wonder? Certainly. I often find myself working well into the evening; and yet my afternoons are frequently free.

The second aspect is of course the fact that I, not the curriculum, dictate what courses I take. Yes, there are some requirements—I need to do a certain number of courses for my major, I need to take a Big Questions and a Theme course every year (or something), and I have Dutch and French learning periods for two months—but generally speaking, I have a lot of choice.

I can take whichever theme course suits me—be it Energy & Climate, Social Systems, or a multitude others. I can select my big questions course; be it Big Questions in History, Big Books, or whatever other topic picks my fancy. And in my minor, I can choose to do everything from sociology, photography, physics or computer science.

There is something a little bit daunting about it, I will admit. I need to take a certain number of courses to fulfill the university requirements. I need to take certain courses to pursue economics further on in the 3 years and for my masters (if I choose to do that). But, you know what? I can deal with that; choice is no bad thing.

Bureaucracy and Incompetence

Other aspects of my stay here have been less pleasant. The IKEA bed I ordered is missing some holes; I have demanded a refund from IKEA. And as for my (mandatory) registration to City Hall, well; that’s a bit of a story.

Firstly, I didn’t know what documents I needed—because the exact documents were not stated on the municipality website. So, I phone them—dialing the local number unsuccessfully before trying the international one—am put on hold, and finally told that I need to register through the university.

I go to the university... only to be told they can’t register me and I need to book an appointment with the municipality.

I call the municipality again, learn that I only need my ID card and rental contract (with the birth certificate after 3 months), and manage to book an appointment with them—on October the 28th!

So, as you can see, I have been rather busy.

The City

I have visited three parks here: one called Frankendael, another one right next to me, and one other near the Van Gogh museum. I have also visited the city centre—in particular the infamous Regulierwardstraat in the red light district.

The place has a reputation that precedes it. Rather than a hotpot of dubious activity, the place is rather civil and clean; the most notable irregularity is perhaps a sex shop and some gay bars.

Anyway, I have taken these opportunities to take some photos. I will be releasing them soon, so keep an eye out on the Magical Realm.

Cooking

Another aspect of my life that has changed is of course the need for me to cook my own meals. Initially, this proved difficult; I have the wonders of ready made salads and pizzas to thank for my survival. But soon, I found myself cooking—simple dishes such as salads, sausages, pasta, snitel and the like, but food nevertheless.

I have no delusions about my ability as a master gastronomer, but I at least have a modicum of confidence in the kitchen.

Calories are also of great interest to me. I have, over the past few months, tried to gain weight—and with some success. I weighed just 59 kilos a few months ago, but I know weigh over 62. I hope to reach 70kg in time; a feat which requires a great deal of calories.

I shall also try and hit the gym, though my student card has yet to arrive.

Parting Thoughts

Life here has so far proven interesting. The students are diverse and some have caught my attention; the courses are generally stimulating and interesting; and while there are some all but inevitable difficulties (particularly where it concerns bureaucracy) I am generally in good cheer.

Keep following the Magical Realm for more updates, photos, and important news about my writing. Until then, may the stars be with you...

22 Jul 2016

Workings on the Ark

Hello readers!

It has been nearly two weeks since I have been inactive on the Magical Realm. I am of course sorry about this; but alas this was an inevitably consequence of having been away to the countryside, without Internet, for more than a week.

Nonetheless, there is a silver lining behind every cloud (as they say) and this is true of my stay. On a first point of order, I have taken about two hundred photos; these I have curated into a collection of a few dozen. You can see it here (Alas most of them were taken with my phone, since I have not yet endured to buy a proper camera, but I think the results are quite acceptable. I would however appreciate any sage photographic advice.)

On the second, and rather more important point of order, I have used the time to work on the Ark extensively. I have more or less completed editing work on the first part; this is a significant milestone. I have now sent off the revised work to two of my beta-readers, who will (hopefully) endeavour to give me prompt and useful feedback.

I do have one or two other changes I am thinking of making—related mainly to Alistair’s character, as well as the possibility of adding a scene or two—but the majority of the planned work has been completed. This includes re-writing and editing Casey’s voice (he now sounds more like a teenager!), re-writing some of the discussion around politics (it is now focused on the 22nd century), and numerous other changes. Chapter two has been edited quite a bit, and I have changed a few names as well—some of my readers were struggling to distinguish between all the C names.

From here on in, work will focus on part two. I have several planned changes—more even than for part one. Among these are changes to the chapters after chapter seventeen (the conflict between the protagonists will be change substantially), at least two additional scenes, and numerous other changes too numerous to list here.

This is in a way fortuitous; for I am once more going back to the countryside. Apologies—you can blame it on my grandmother’s wretched insistence on growing vegetables. This is of course a noble pursuit, but the constant watering, measures against pests, and other farming-related activities inevitably force her to be there.

But I can, of course, use these next couple of days to further my editing progress. Wish me luck!

Other Matters

I have also used the days I have been back in Vaslui for various other important purposes. I needed to get more acne medicines. I was rather unkempt and covered with bug-bites, so of course a thorough shower, shave and the procurement of bug spray was in order. And I have been busy with more bureaucracy as part of going to study in Amsterdam.

One such example has been getting the school to write an official letter which confirms that, yes, my A level results are my final grades. I am also still trying to figure out how to pay the tuition fee—I can pay it via bank transfer, but rather than incur a €55 fee, I would prefer to pay via debit card. Only... the university says you can, but doesn’t seem to have told me how.

Anyway; let us leave aside such irritating and time-consuming matters. Onto the final points of order.

Politics

I have been quite active in my political blogging over the past couple of weeks. There has, after all, been a plethora of issues to address—the referendum, the Brexit (of which much remains to be said), the terrorist attack in Nice and now (it would seem) in Munich.

However, I will not be able to write as much about these issues as I would like: as you can see, my summer holiday is anything but! That said, I will endeavour to address one of those issues in the coming days.

Reading

I have also been reading extensively throughout my stay here. I have read Wicked Gentleman, by Ginn Hale—a respected author of fantasy fiction featuring LGBT characters. I hope to review it when I have the time; it is a rather good book. EDIT: I have reviewed it! You can read the review either on the reviews page or by following this link.

I have also been reading more of Capital in the 21st Century, by Thomas Picketty. In truth I believe Picketty would have been better off calling it Inequality Throughout Time, but, anyway. The theses that Picketty presents in the first half of the book (which I have now read) are very thought-provoking and intriguing.

Picketty has used a vast amount of historical economic data to address the impact of capital, inheritance and growth for inequality. He has dealt with 20th century politics, the effects of various political acts on tackling inequality (such as capital gains tax), and the rise of the supermanager.

I largely agree with his findings—particularly in the thesis that renumeration in large companies is a matter of the social and cultural institutions that exist within that company and within that country.

I do not agree with all of his claims. I dispute, for example, that university education is critical for reducing inequality. I dispute his claim that access to education is unequal. These issues I shall address in further detail—when I have the time.

Parting Words

As you can see, these are busy times for me. Wish me luck—in my editing, my writing, and the various matters that occupy me. Until then, keep following. I may have a few tasty political morsels to share...