26 Jul 2014

An Important Update

There are a couple of important things I must share with you.

On Monday, I shall be retiring to my country home. I shall be there for three days: and on Thursday (morning or evening) I shall be back. Unfortunately, the current Romanian Internet infrastructure does not stretch very well to the countryside; I shall be unable to blog.

Until then, I intend to finish my essay and publish it where all can see.

I am also currently involved in attempting to repair my external drive. But rest assured: my documents are also kept on Google Drive—you’ll be getting all the goodies.

I am also now fully involved in researching cover artists for the Necromancer.

I don’t think I can make that story truly become what it should be without performing a total rewrite; a feat which I am not capable of attaining, for I have other—better—tales that I should be working on.

That said, I am starting to see the finish line. I am starting to see the point at which I can feel… not proud—that’s too strong a word—but content, to put the name ‘Alex Stargazer’ on it.

I must also admit that there is more to this update than logistics. I’ve had a period of… depression. There are a lot of reasons for this: I’ve been lonely, for one. I don’t know many people outside of school—and it’s not like writing is a team effort.

I’ve also been reading a rather depressing book—the name of which I shan’t mention, but you can read my Goodreads reviews—that has struck oddly close to home.

Finally, I have memories of this apartment. Bad ones. And too, too many.

I’d be lying if I said depression wasn’t a long standing problem for me. There are reasons for this—and maybe I’ll write them down. But not now. When I’m ready.

You probably aren’t happy to hear all of this. Depressed bloggers aren’t happy bloggers (oddly enough); and if the blogger isn’t happy, there won’t be much blogging, now will there?

But, I do have bad periods. I will get over them; I always do. Everyone has them, so it’s no point pretending: that’ll just make it worse.

I’ve been doing a lot of pretending in my life. Sometimes, I look at my loved ones, and think: do I really know you? Do you know me?

And do I know myself?

I answered those questions last night. Not fully—I don’t think I can do that. Yet.

I may or may not blog about this in more detail. You may not want me to (who ever does?) but understand that this is necessary. I need to find myself; or else I’ll just be living a pointless, meaningless, emptiness.

Very well. I have said what needs to be said; for now. My essay will be coming soon: I’m sure that’ll entertain you. It’s got a lot of weird stuff about what is art, and why it matters, and all that. There are also things about carrots.

What? You didn’t think I’d let that Dutch transgression (breeding orange carrots! Good heavens!) go unnoticed, now did you?

25 Jul 2014

Poem of the Week; And Goings On

Dear readers!

Alex has been most lackadaisical in his blogging, has he not?

This is because Alex:

a) Is now in Romania, to which he arrived by travelling east on a midnight plane—his body clock is totally off, you see, and he has trouble sleeping;

b) Has had a mole removed on his back, which is uncomfortable and annoys him to no end;

c) Has been made busy with a problem in his external drive: specifically, nothing will read it.

Being plagued by such vicissitudes, I have been unable to entertain you lot. This will now change. I have written a poem—the one which was supposed to be the poem of the week—and I shall even deign to talk about my little town of Vaslui.

So What’s This Place Like?

Depressing. I don’t mean to sound all negative and downer; but I am finding quite depressing. This is partly because I am a little unstable with my various worries (exam results, moles, etc.) and am therefore prone to depression.

But, still: this place is quite underdeveloped. It’s not poor by the standards of a not-so-well-off country in a not-so-well-off county—but even coming from little Britain, I do find it depressing.

There’s more to it than that though. Heck, Barcelona—which struck me as underdeveloped when compared to the likes of Luxembourg, Bruxelles, Eindhoven, Paris, Hamburg, etc.—was one of the liveliest places I’ve seen.

I could blame it on the architecture. There are a lot of Communist-era flats: their hard concrete and decaying windows don’t exactly inspire me to sing YMCA, or whatever idiotic song they do for that nowadays. Neither do the pothole covered roads. Or the stray animals. Or…

You get the point.

It’s not like Romania as a whole is this depressing. My country home (located in a village I guarantee you’ve never heard of) is much nicer: it’s got lots of flowers around it, it’s got vineyards, multiple buildings over multiple levels, hidden gardens…

It’s a lot more peaceful too. For a town of 50,000, Vaslui sure as hell is noisy. You can’t sleep with a window open—the pneumatic drills and lorries will drive you stark raving mad.

Okay, enough on Mr Stargazer’s location. Time to read some poetry!

(Check out my latest photos on Vaslui. I’ll promise I’ll make better ones once I get to my little country home.)

What About That Essay?

The Essence of a Good Tale is almost complete. In fact, this Poem of the Week was written in part to give me some more… direction in the essay.

Poem of the Week: Essence

This poem was actually entitled ‘Void’ to begin with. Why?

My initial premise for the poem stemmed in relation to the place which—funnily enough—I call the Void. The Void is actually a place in a (very future) novel I plan on one day writing (which shall be entitled Biology, and would—hypothetically—be made a series called Biology, Chemistry, and Physics.)

‘Alex, get on with it…’

Yes, so. The Void is the place where nothing but consciousness exists. There is no life. There is no light. There isn’t even time. Or space. It is a pure place: in it, you are your truest self. There are no illusions, nor any false pretense.

(‘He’s getting all weird again, isn’t he?’ some of you are no doubt thinking.)

However, this poem isn’t really about that. As my fingers glided over the (most uncooperative) keyboard, something else was created. Something about the essence of art.

The Essence of Art

The poem is quite short; I shall break my usual structure of weird-quotes–weirder-analysis–weirdest-poem (it was lying in tatters anyway, the poor thing) and give you the poem directly.

Read the Cause of the Altercation

I honestly don’t think any analysis is necessary: the poem is quite clear; and its implications are debatable—better for you to figure out. Of course, if it’s really leaving your knickers in a twist, you could ask me to do it. You’d have to say Please—with a cherry on top.

Very well. Here endeth this blog post. Stay following, because that essay will be coming soon. I just need to fix my hard drive, get myself a proper haircut, see a doctor with this mole removal of mine, and maybe save the world.

All in a day’s work, right?

16 Jul 2014

Poem of the Week: The Pianist

It is time for the Poem of the Week, and this time it’s another poem that was initially submitted to a literary magazine (of which I have made enough mention in the previous poem of the week).

This particular poem is called the Pianist: it’s cute, light, and has some nice metaphors. It isn’t my best poem by any means—most of my best have been submitted to the Foyle poetry competition, and are rather more dark on the whole—but I think it a pleasant read all the same. (Please tell me if this is not the case. Alex is not very good at ascertaining the merits of his own work; a curse bequeathed to all writers. Oooh, I’m starting to sound all weird and literary, now aren’t I?)

As part of my new strategy, I have decided to structure these analyses (is that the right word?) in the following format: weird quotes at the beginning; weirder analysis thereafter; and weirdest poem at end.

(Tsck tsck. I’ve used that word too often now—I’ll have to start using pseudo-synonyms like ‘strange’ and ‘odd’, which so don’t sound the same. Poor me. Poor writers.)

Weird Quotes

The Pianist
Is lost in the tones
Of his own melody.

—Quote I.

For no ordinary person
Can instil such
Emotion.

—Quote II.

All the sounds of music:
A song to the unheard listener.

—Quote III. (You getting the gist of this?)

He smiles: a quirk of a mouth
That has known humanity.
But he does not know all;
That is reserved
For my kiss.

—Quote…

(I would put more, but my weary bones tire from all this typing; and besides, to do so would make this a turgid piece, which would bore you. I think. Although some of you read the so-called ‘Classics’ willingly, so who knows?)

Weirder Analysis

Let’s start with Quote I, strangely enough. (You noticed I didn’t use weird this time. You clever devil!)

Now, we are told—quite didactically, I admit—that the Pianist is lost in the tones of his own melody. This is important: it suggests that art is something in which you can forget about the world—about your worries, your fears, and even who you are. You can become a being ensnared by the magic of art; forever living in the moment, and forever subject to the most fickle of emotional changes.

And once you’ve read the poem (which you will do, I’m sure—I don’t write these for nothing, ya know) you’ll see quite a few of these emotional changes. Art is not in stasis; even paintings have the suggestion of change—the idea that this is only a snapshot of a world, and that it is not a whole representation. (Though paintings do have with them other advantages, which I shall mention in my upcoming essay.)

In any case: you can forget about yourself in art.

The next selected quote (Quote II, under the Roman system), reveals something special about the artist himself: that he—and all others of his type—are able to instil their feelings to their audience, in a way ordinary people cannot. Basically, artists are not the same as everyone else; and by implication, therefore, art is not a learned skill.

The third quote is little off-on-a-tangent (I do love going on tangents) but it reveals that much art goes unheard, unseen and unfelt. This is not entirely without reason: published art assumes that it can be critiqued, and not all art is that great (sadly). Of course, the debate is rather more complex and multi-faceted than that—hence why I shall be discussing it in my upcoming essay.

(‘Boy, he’s really doing our head in with that essay of his,’ I bet you’re thinking.)

The final quote is also very interesting. (If you happen to be a bod like me.) The fact that he’s known humanity—through art—shows that art is perhaps… a reflection, of human emotion. And in a way, it is; and another, it’s so much more. You can guess this one: to be talked of in my essay…

(‘Oh Alex!’ you wail. Patience, my dear; patience is a powerful virtue. It also means I can keep you coming back for more. Aren’t I just so clever?)

The final line suggests that one must experience certain things to truly capture them; but yet, I do believe you can gain a great deal of understanding about a phenomena even if you have never known it: that is the power of art.

Stay tuned for that essay of mine…

Alex!

Oh, yes. Here’s the weirdest poem:

View Weird Poem on Google Drive

PS: This was written in and uploaded with StackEdit—if you are of a literary disposition, you should definitely check it out.